By Shel Silverstein
From Shel Silverstein, the New York Times bestselling writer of Where the Sidewalk Ends and The Giving Tree, comes a riotous rhyming photo e-book a few boy and his giraffe!
Featuring rhythmic verse and iconic illustrations, A Giraffe and a Half will depart each reader, old and young, giggling until eventually the very finish. cherished for over fifty years, this vintage captures Silverstein’s signature humor and style.
If you had a giraffe and he stretched one other part, you'll have a giraffe and a half. yet what occurs for those who glue a rose to the top of his nostril? Or if you happen to used a chair to sweep his hair? sign up for this giraffe on a rollicking and ridiculous trip that would appeal readers from commencing to finish.
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Additional resources for A Giraffe and A Half
This placement, complemented by the association with primordial power, makes the fox into a vital and positive element in South American myth. Among the Andean Quechua, descendants of the Inca, the fox plays a transformational role among family relationships from its position between two territories or between two phases of life. Gary Urton explains how the ritual co-parenthood, or compadrazgo, common throughout the Andes today is an amalgamation of indigenous and Spanish family institutions. 17 In these ritual kinships, the puma is referred to as either Machu Compadre, ancient male co-parent, or Machu Comadre, ancient female coparent, to the newly born first son.
A woodcarving in Ely Cathedral depicts a fox dressed in episcopal robes preaching to some geese from the 46 A fox preacher in stained glass in Ely Cathedral, Cambridgeshire. A carving of a fox preacher in Wells Cathedral, Somerset. 9 While other predators, such as the wolf and eagle, work in a straightforward, let us say honest, fashion that makes their violence seem acceptable, the fox works in disguise and casts his expressions of lust as prayers – ‘how I long for you all in my stomach’ – and he commits the two worst sins: he exploits the sanctity of priesthood to prey on innocent victims, and he disguises himself as a victim to seem vulnerable.
11 Reynard’s castle – whose name is taken from the abode of the contemporaneous epic hero Tristan – is a labyrinth, and the 49 direct embodiment of the crooked, subterranean intelligence that enables the fox to elude his enemies and to anticipate their assaults. Even though the character of Reynard arose from the Christian system, and from the Physiologus in particular, he has returned to the more complicated Greek characterizations of elusive vulpine cunning. Reynard’s labyrinthine house shows why European folk tradition should develop the fox into a complex and entertaining character enduring for almost 900 years, while official Church doctrine confined the fox to the simple representation of evil.